![]() The first version was performed at the Teatro Regio in Turin on 25 June 2008, directed by Yoram David.Īmerican musicologist Dr. The autograph of the acts 2 and 4, which was believed lost till 2008, was owned until her death by Simonetta Puccini, the composer's granddaughter. The autograph of the acts 1 and 3 of the original version is preserved in the Archivio Ricordi in Milan. On a copy of the score that he sent to a friend, the English woman Sybil Seligman, he wrote scathing remarks against parts of the score and amended the title to read:Į Dio ti Gu ARdi da quest'opera! (And may God protect you from this opera!) In setting the libretto of Edgar I have, with all respect to the memory of my friend Fontana, made a blunder (una cantonata). The basis of an opera is the subject and its treatment. Although I knew that I wrote some pages which do me credit, that is not enough - as an opera it does not exist. It was an organism defective from the dramatic point of view. Puccini finally gave up on Edgar and in later years, bitterly repudiated the work. ![]() ![]() The funeral march from act 3 was played at Puccini's funeral, conducted by Arturo Toscanini and the aria "Addio, mio dolce amor" (Farewell, my sweet love) from the same act was sung. Some of the music that was cut in 1891 was reused in Tosca and became the beautiful act 3 duet, "Amaro sol per te m'era il morire!". In this final form the opera had even less success than in its original four-act structure. In the autumn of 1891, Puccini revised the work again, cutting the last act and producing a three-act version which would again be revised in 1905. In January 1890, Ricordi published a revised version, including a different ending for act 2. The original version had four acts and was tepidly received. The gypsy-like figure of Tigrana (supposedly the child of "wandering Moors") also parallels the anti-heroine of Bizet's Carmen. Edgar is "torn between the sacred love of Fidelia and the profane love of Tigrana" Wagner's hero indulges himself with Venus while pining for the love of Elizabeth. Both centre on medieval knights struggling between a life of sensual indulgence and ideal love. The plot indicates the influence of Wagner's Tannhäuser. Edgar, Puccini's second opera, was composed on a commission from the publisher Ricordi after the successful reception of his first stage work, Le Villi.
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